Like En roulant, C'est l'aviron is from medieval France, but was adapted by the voyageurs to fit the task of paddling for endless hours. But Lacourcière's improvement on Doncieux's technique consists of giving within a scientific framework all the variants and all the melodic versions, thus permitting a complete restoration of each original version. Youpe! Quebec said that they loved the American music so they change there festival music to that Quebec also has many well-known jazz musicians and a culture of classical music. CENTRE D’ÉTUDES ACADIENNES ANSELME-CHIASSON Founded in 1968 by Father Clément Cormier, the centre has the world’s largest collection of archives and documentation about Acadia. French Songs of Old Canada (London 1904), Prévost, Paul-Émile. Acadian singers have become very popular, with some even managing to make a career in Europe. En roulant ma boule, part two of Répertoire de la chanson folklorique française au Canada, ed Lucien Ouellet (Ottawa 1982), Béland, Madeleine, and Carrier-Aubin, Lorraine. Laval University offers music degrees as high as the doctorate level. The first generation of French-Canadians perpetuated the traditional culture which had been part of their intellectual heritage, whether European or American. “Tous Les Garçons et Les Filles” (“All the boys and girls”) was chic superstar Hardy’s first hit, eventually achieving multi-platinum status in France. Héritage de la francophonie canadienne (traditions orales) (Quebec City 1986), Voyer, Simonne. She decided to stay loyal to her French Canadian … In 1924, through the courtesy of Senator Pascal Poirier, Barbeau's collections grew richer by 110 sung pieces hand-notated on Prince Edward Island by Father P. Arsenault, the parish priest of Mont-Carmel, assisted in the music by Father Théodore Gallant, the parish priest of Sturgeon. Music Gallery Editions MGE-17, La Veillée des veillées. Several study projects were carried out, however. Chansons populaires du Canada was not, therefore, merely the work of a folklorist intent on assembling all the popular songs of a given region, but rather that of a musician prepared to uphold a thesis on folk music compared to Gregorian chant. The voyageurs sang to set the rhythm of their paddles and to give themselves courage. Pardon the rather narcissistic title… I feel like in a bunch of my posts over the past two years, I talk a lot about music and the importance of listening to French music as part of furthering your French language experience but don’t quite point you any sort of direction to find/listen to French (more specifically French Canadian) music. 1978. Société de l’Assomption, Recueil de chants populaires des Acadiens. The Edison invention permitted the making of recordings on wax cylinders, although they could accommodate only very brief items. Frédéric Pelletier set the tone with these words: 'Let us salute the man who has made us aware of the true nature of the treasure inherited from France - a treasure the French have forgotten they possess, and one which we have transformed in accordance with our own genius' ('Un livre que nous devrions tous nous procurer,' Montreal Le Devoir, 8 May 1937). In 1608, the first permanent French colonists established Québec city in the same location, bringing their songs and music with them. He writes that harmony 'must be added to folksongs only with much discretion and taste'; that, very often, 'it lessens the charm and hinders the rhythm, even if it does not completely destroy the modality'; and that 'in the present climate of scholarship it often is considered much preferable that harmony not appear at all'. In Littérature orale en Gaspésie (1955) Roy published many songs taken from her collection of several thousand pieces. Philippe-Joseph Aubert de Gaspé (both father and son), Patrice Lacombe, and several other novelists employed this literary device. New Brunswick is seeing an explosion of musical talent that includes country singers such as Hert Le Blanc and George Belliveau, songwriters such as Pascal Lejeune, Danny Boudreau and Joseph Edgar, and such singers as Lina Boudreau, Lisa Le Blanc and Sandra Le Couteur. French Canadian Musical Traditions and Traditional Adirondack Music . Finally, singer and actress Marie-Jo Thério’s success in the last 20 years in both Québec and France has opened the door for a new generation of singer-songwriters. In enumerative songs, the enumeration provides the complete structure. Still another was Adélard Lambert (b St-Cuthbert, near Sorel, Que, in 1867, and raised in the USA). Folk FW-6951, Songs of French Canada. Thus encouraged, Massicotte returned to the field and between 1917 and 1921 made about 1400 wax cylinder folksong recordings for the National Museum (Canadian Museum of Civilization). See also related online learning resources. Anna Malenfant, born in Cap-Pelé, New Brunswick, in 1902, also made a career in Montréal after completing her studies in Europe. In 1917 he met the archivist of the Montreal Court House, E.-Z. Kohl recounts the legend of Cadieux ('Petit Rocher de la haute montagne') and quotes several lines from the lament. 1 (1967–1984). 845–878. For the CPR Festivals in Quebec City in 1927 and 1928, Barbeau organized several concerts featuring some of his and Massicotte's musical informants, who competed for the audiences' attention alongside famous artists. L'illustration de la chanson folklorique au Québec, exhibition catalogue (Montreal 1980), Laforte, Conrad. The mid-eighties in Canadian pop belonged to Corey Hart, and “Sunglasses at Night” was at the centre of it all. 'Songs of the voyageurs,' 'The indoor canoes,' Montreal Gazette, 26 Jul, 2 Aug 1980, Montreal Museum of Fine Arts. 'À St-Malo, beau port de mer,' 'Bal chez Boulé,' 'Bonhomme! December 18, 2020. CLOSE. 2019 CANADIAN SONGWRITERS HALL OF FAME Inductees “Let Your Backbone Slide,” by Maestro Fresh Wes “Rise Up,” by Parachute Club, written in 1983 by Billy Bryans, Lauri Conger, Lorraine Segato, Steve Webster, and Lynne Fernie “(Make Me Do) Anything You Want,” by A Foot in Coldwater, written in 1972 by Paul Naumann and Danny Gordon Taylor Songwriter Ronald Bourgeois has long been an important figure in the Chéticamp, Cape Breton Island, music world, and musicians such as guitarist Maxim Cormier, pianist Joël Chiasson and singer Nicole LeBlanc are among the new generation of talented musicians. Such songs have had a larger circulation than was believed by the first folklorists of the 19th century, who attributed to them a local or at least national origin. One of Massicotte's informants, Vincent Ferrier de Repentigny, eventually produced an unprecedented 10 recordings more than Barbeau's most prodigious informant, François Saint-Laurent. In Charlevoix and Acadia (New Brunswick), with Luc Lacourcière and Bishop Savard, Roger Matton conducted research for the recording Acadie et Québec. This article provides a brief historical account of each of these Modern Day Canadian French Music For traveling at the ass crack of dawn, crowded airports, meeting strangers, foreign cities, the country, stargazing, getting lost, overnight busrides, seeing the sun rise, coming home, and … Their music, however, enters recorded history only with early 17th-century European observers such as Marc LESCARBOT, Father Paul LE JEUNE and Father Gabriel Sagard, who were as fascinated by the exotic sounds and sights of native music-making as they were ill equipped to describe and analyse it. Celine Dion’s Traumatic Life & Unexpected Announcement, What You Didn’t Know About The French Canadian Music Icon. 1983. In addition, they focus on more recently developed areas such as Canadian music, American music, computer music, composition, ethnomusicology, jazz, popular music, the sociology of music, and gender studies. Chansons populaires du vieux Québec/Folk Songs of Old Quebec, National Museum Bulletin No. Confronted to each other they will have to learn to forgive. Songs in the form of dialogue are sung by two people answering each other: the beautiful maiden and her lover, the shepherdess and her gallant, mother and daughter, mother (or father or priest) and son, father-confessor and maiden, husband and wife, historical and legendary figures, personifications, and finally an individual and a group. In 1974, French was recognized as the official language of Quebec, although English is the official language elsewhere in Canada. Gaudet, Laura C. Songs of Acadia (chants d’Acadie). The violinist Arthur Leblanc, born in New Brunswick in 1906, is perhaps the most famous Acadian musician of the 20th century. The delay which affected the last two sections allowed the author to make additions; to draw parallels with French collections by Bujeaud (1863-4), Durieux and Bruyelle (1864), Damase Arbaud (1862-4), and H. Murger (Les Vacances de Camille, no date); and to add variants provided by last-minute contributors and informants. The fallacy of the regionalist approach has been publicized to such a degree that it no longer is permissible to divide these poetic-lyrical materials geographically. Among them are parodies, farcical songs, historical songs, neighbourhood stories such as fires, drownings (laments), and murders, political and electoral songs, anthems, and Christmas carols. In the newspaper Le Français (Paris 1874), Edme-Jacques-Benoît Rathery published 'Chants populaires des Canadiens français'. Folk Songs of French Canada (New Haven, Conn, 1925), Barbeau, Marius. Acadian music originates from eastern Canada and is a bilingual genre between french and English. Male and female Acadian choirs won a number of international awards in the 1950s and 1960s under the leadership of choirmasters Léandre Brault, Neil Michaud, Florine Després, and Lorette Gallant (see Jeunes chanteurs d’Acadie). Mylène Farmer is a Canadian born French singer, songwriter, occasional actress, and author. See also the entries for the songs 'Ah! School and college choirs have enjoyed great success, and classically trained Acadian musicians have distinguished themselves on the world stage. 'Les écoliers de Pontoise,' ibid, Barbeau, Marius. French Canadians living in Canada express their cultural identity using a number of terms. The Royal Ontario Museum (Toronto) owns a manuscript, signed by Edward M. Hopkins (1861), containing nine songs which appear to have been copied from Ermatinger. 1709),' JAF, vol 67, Apr-Jun 1954, - 'The Ermatinger collection of voyageur songs (ca. The Montreal Museum of Fine Arts presented an exhibition 1980-1 entitled 'The Illustration of the Folksong in Quebec'. Chansons d'Acadie, 7 vols (1-4 Montreal 1942-8; 5 Moncton 1979; 6,7 Chéticamp, NS 1983-5), Barbeau, Marius. Consequently, a better idea of French folksong in Canada has been obtained through the study, within a historical perspective, of early evidence and through the results of investigations and recent studies carried out in research centres. Find the latest in french canadian music at Last.fm. Marius Barbeau, who in 1911 had been engaged as an anthropologist by the Canadian government, had been put in charge of North American Indian studies. In, Laforte, Conrad, "Franco-Canadian Folk Music". 1956. For thousands of years, Canada has been inhabited by indigenous peoples from a variety of different cultures and of several major linguistic groupings. 134 (Ottawa 1955), Barbeau, Marius. Lamèque International Festival of Baroque Music. In 1909, at Harvard U (Cambridge, Mass), Cyrus MacMillan wrote 'The Folk Songs of Canada,' an 1109-page dissertation which deals exclusively with French songs in Canada. Canadian literature, the body of written works produced by Canadians. View Charts Legend. Canadian Studies Centre, University of Innsbruck Press, 2009. In 1929 and 1930 for the CPR Barbeau and Graham Spry arranged concerts of Canadian music in which professional artists, among them Rodolphe Plamondon, popularized folksongs throughout Canada. These songs, sung in unison, were used to accompany walking, round dances, and group work. Brassard is the author of numerous articles, including 'Refrains canadiens de chansons de France' (1946), in which he shows how a song is renewed through its refrains. Signing up enhances your TCE experience with the ability to save items to your personal reading list, and access the interactive map. During the swingboom of the late 1930s and early 1940s, Canada produced such not… Sur la rivière! Among at least 17 extant manuscript collections (a listing of which is found in La Chanson folklorique et les écrivains du XIXe siècle by Conrad Laforte, 1973), may be mentioned Benjamin Sulte's 'Chansons populaires' (1858) and, the most important, 'Annales musicales du Petit Cap' compiled after 1865 by Mgr Thomas Hamel, held at the archives of the Séminaire du Québec. Among other occasional contributors who transmitted songs to Barbeau were Jean-M. Lemieux, Georges Mercure, J.-E.-A. Features Best Canadian Musicians: 25 Icons From The Great White North. (1979). Canadian writers and men of letters proudly praised it. Each licensed French-language station is required to devote a percentage of its weekly music broadcasting to Canadian content and to the French language. Among other foreigners who observed this folkloric survival in Quebec were several from France, including Alexis de Tocqueville, Alphonse de Puisbusque, Xavier Marmier, who published Chant populaires du Nord... (Paris 1842), and Jean-Jacques Ampère. The music of Canada has reflected the multi-cultural influences that have shaped the country. After this first volume Barbeau continued to accumulate collections for the National Museum and to organize researchers, offering them encouragement, advice, and help. Ca 1856 J. 'Vieilles chansons de Nouvelle-France,' Archives de folklore, vol 7 (Quebec City 1956), Barbeau, Marius, et al. Chansons folkloriques à sujet religieux (Quebec City 1988), Roberge, Carmen. Influenced by music from France, French–language folk songs took root in North America during the colonial development of New France. Le Tamanoir TAM-27001, Rivière jaune. After 150 years of relatively peaceful farming and fishing on the edge of the Bay of Fundy, these people were expelled when Canada fell to British rule. Latterly these musicians have been criticized for this very unscientific practice. 'La Guignolée,' 'Isabeau s'y promène,' 'J'ai cueilli la belle rose,' 'Malbrough s'en va-t-en guerre,' 'Marianne s'en va-t-au moulin,' 'Papillon, tu es volage,' 'Petit Rocher de la haute montagne,' 'Les Raftsmen,' 'Le Rossignol y chante,' 'Vive la Canadienne,' 'V'là l'bon vent!,' 'Youpe! Benoît Poirier, born in Prince Edward Island in 1882, composed approximately 50 organ works while he was the organist at the Notre-Dame Church in Montréal. 1981. Barbeau's approach and Doncieux's concurred, however, in the notion that no attempt should be made to assemble 'approved' composites from the existing melodic variants. Saint-Pierre et Miquelon: une mission folklorique aux îles... (Ottawa 1962), Lemieux, Germain. Browse the top french female artists to find new music. The Cajun people are descendants of French-Canadian settlers who first began settling in Nova Scotia -- an area they called l'Acadie -- in 1605. The playing style is spirited and based upon rhythmic patterns of the Celtic world-jigs, reels, and waltzes. Online, everywhere. 183–190. In the department of folklore of the University of Sudbury, Jean-Pierre Pichette and his students continue to work in this field as well. Indeed, some of them may even have been the original composers and authors, and their descendants may still live in Canada. SD-2000, Images. These same voyageurs, engaged in fur trading, and the later foresters (loggers, raftsmen) sang of the hardships of their labours. Histoire musicale des Acadiens de la Nouvelle-France à la Louisiane 1604–1804. La BolducWatch the Heritage Minute about La Bolduc from Historica Canada. The fiddle, accordion, and guitar are the most common instruments used in French-Canadian music. He then notated the melodies of the songs from Shippagan collected by Dominique Gauthier and presented them in Chansons de Shippagan (1975). Although the “un” sound is no longer used in Metropolitan French, it is still very much in use in spoken Québec French. The internationally renowned folk singer Roch Voisine is also from New Brunswick. Canadian writers, like their French contemporaries, had developed the habit of quoting songs for the sake of local colour. New collections were added (including two posthumous works prepared by Lucien Ouellet): Alouette in 1946, Le Rossignol y chante in 1962, En roulant ma boule in 1982 and Le Roi boit in 1987. From these recordings, Marguerite and Raoul d'Harcourt derived Chansons folkloriques françaises au Canada (1956). Scrobble songs to get recommendations on tracks you'll love. Themes and motives are often medieval, several possessing a religious content or an epic character. Gagnon, Ernest. This was done so naturally that it went unnoticed for a long time. In the year 1541, French explorer Jacques Cartier was the first to arrive in Quebec. Chansons à répondre du Manitoba (St Boniface 1979), Arsenault, Georges. On a dairy farm in the Eastern Townships, in the middle of a drought and while the land is parching, a drama will disrupt the life of the Santerre family. Chansons de voyageurs, coureurs de bois et forestiers (Quebec City 1982), Deschênes, Donald. Songs collected by Roger Matton. French-Canadian food traditions include tourtière, ragout, poutine and tourquettes. Canadian music genres identifies musical sounds as belonging to a particular category and type of music that can be distinguished from other types of music made by Canadians. CRTC policies and regulations help to maintain a French-language presence on radio and provide exposure for francophone artists. “La chanson acadienne : Édith Butler, Calixte Duguay, Angèle Arsenault et Georges Langford.” Québec français, no 60 (1985): 42–44. Acadian music originates from eastern Canada and is a bilingual genre between french and English. Quebec, is a province that has a very interesting mix of identity: both Canadian and French. The French-Canadians where high on soiree, fun gatherings, with fiddles and singing songs till late in the night. The New York weekly The Albion, 19 Nov 1836, published an unattributed version of 'À la claire fontaine' under the title 'Original Canadian Boat Song'; the words were in French and the music included a piano accompaniment. Since the arrival of French music in Canada, there has been much intermixing with the Celtic music of … The Patrimoine Series (1982-), devoted to Franco-Canadian culture and directed by Jacques Labrecque, comprises sections on folk musicians, folksongs, folktales, folklegends, and childrens' songs, author-composers, historical documents, and poetry. In the 20th century, however, we know that all francophone countries have a repertory of songs in common. Knight provided piano accompaniment for the melodies, and George Soane and J.B. Planche wrote English texts which they thought more representative than the original lyrics; the results were published in London with the title Canadian Airs (1823). C'était la plus jolie des filles, repertoire of songs of Angéline Paradis-Fraser (Montreal 1982), Chiasson, Anselme. Over the years it grew in favour among musicians and received similar acclaim among folklorists. HAPPY French Morning - French Cafe Accordion Music -Music to Wake UP PLEASE, THUMBS UP & SUBSCRIBE! (1977). CANADIAN FRANCOPHONIE Origins and development of the Canadian Francophonie from the 16th century to the present. Moncton: Chaire d’études acadiennes, 1993. After studying music in France, he became first violin in the Orchestre Symphonique de Paris in 1935 and performed on the biggest stages of Europe and North America. Signing up enhances your TCE experience with the ability to save items to your personal reading list, and access the interactive map. The collection was greeted with pride by French Canadians. In 1856, after Fortoul's death, the committee abandoned its work and the survey was cancelled. One also finds in this group songs that are more or less narrative and deal with idyllic or bucolic love, seasonal songs (hunting, New Year's day, mardi-gras), the travelling cycle (departures, homecomings, deserters, sea voyages, 'coureurs de bois,' lumber-yards, logging, military life, boredom, and messages), songs on civilian life and social conditions, songs for special occasions (weddings, etc), and songs of drunkards and drinking. 'How folk-songs travelled,' Music and Letters, vol 15, Oct 1934, - 'Berceuses et chansonnettes,' JAF, vol 53, Apr-Sep 1940, - 'French-Canadian folk-songs,' MQ, vol 29, Jan 1943, - 'Modalité dans nos mélodies populaires,' Proceedings and Transactions of the Royal Society of Canada, vol 38 (Ottawa 1944), - and Bélanger, Jeannine. Weckerlin, published Chansons populaires des provinces de France (1860), a collection which, divided into sections by province, seemed to be a sample of the work left incomplete by the government committee. These rugged workers adapted medieval dance songs, mostly recounting feminine misadventures, to the rhythm of their paddles. Folklore franco-ontarien, Chansons, 2 vols (Sudbury 1949, 1950), Marie-Ursule, Sister. His works — “Évangéline,” “Le Pêcheur Acadien” and “La Marseillaise Acadienne”— were included in music education in Maritime schools and colleges for many years. They made gourds and animal hornsi… Rathery, Edme-Jacques-Benoît. 1959. Barbeau concluded his book with rhythmic formulae and musical analyses prepared in collaboration with the noted French musicologist Marguerite Béclard d'Harcourt, who also provided the preface. Acadian music from PEI. In this work, Young deals with the problem of rhythm in musical transcriptions. 75 (Ottawa 1935), - Romancero du Canada (Montreal, Toronto 1937), Leblanc, Joseph-Thomas. Voyageur & French Canadian . French-Canadian traditions include the holidays Dollard Day and St. Jean Baptiste Day, as well as traditional clothing with historical roots in the province of Quebec. "Franco-Canadian Folk Music". Les Disques Son d'Or Enrg. La Fleur du rosier, Acadian folksongs collected by Helen Creighton (Sydney, NS 1988), Laforte, Conrad, and Roberge, Carmen. From a musical point of view, Gagnon was an innovator. Each of the Indigenous communities had (and have) their own unique musical traditions. French Canadian music is music derived from that brought by the early French settlers to what is now Quebec and other areas throughout Canada, or any music performed by the French Canadian people. Father Anselme subsequently set up at the University of Moncton an ethnographic museum and archive department which were the predecessors of the Centre for Acadian Studies. It was only in 1853, however, that in France the minister of worship and public education, Hippolyte Fortoul, asked the philology section of the country's Committee on Language, History, and the Arts to undertake a broad survey aimed at collecting all French folksongs. Other anthologies with an introductory study present particular song groups, for example Chansons de voyageurs, coureurs de bois et forestiers by Madeleine Béland and Lorraine Carrier-Aubin (1982), and Chansons folkloriques à sujet religieux by Laforte and Carmen Roberge (1988); a collection of Chansons strophiques à caractère épique et tragique was in progress in 1990. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert program. Reels: La Grande Chaine, Reel de Montreal, Growling Old Man & Woman In singing, Rosemarie Landry of Caraquet, New Brunswick, distinguished herself in numerous groups and orchestras and was also a voice teacher at the Université de Montréal and the University of Toronto. Among the most famous of many orchestrations of traditional melodies are Sir Ernest MacMillan's Two Sketches for Strings, Claude Champagne'sSuite canadienne, François Brassard's Suite villageoise, and Roger Matton's L'Escaouette. French Canadians share many common cultural practices: most are Roman Catholic, most enjoy food, art, music, and activities that began with their French ancestors. – … For anyone traveling where French is spoken. Hence, along this route and in Manitoba there are descendants of these former voyageurs of the 'upland country' who were so famous for their songs. 151 (Ottawa 1958), Barbeau, Marius. Written literature tends to be the work of a relatively affluent intellectual elite. He is best known for his song Les Aboiteaux and for his musicals Louis Mailloux and La Lambique. First Nations people, the French, the British, the Americans and many others nationalities have all made unique contributions to the musical genres of Canada. BILLBOARD CANADIAN HOT 100 … A good example is the following song in Plains Cree/English and French sung by Mme Alphonse Carrière of Winnipeg in 1971, when she was 63. Barde. Powered by Create your own unique website with customizable templates. In. The collection was published over six issues, February 1865 to February 1867. Gallant, Jeanette. Le Rêve du diable. The playing style is spirited and based upon rhythmic patterns of the Celtic world-jigs, reels, and waltzes. The producers of records and collections designed for children have too often used the repertoire of adult songs. While much French folk music has been revived in the last few years due to interest from tourists, remote areas such as Auvergne and nationalistic regions such as the Basque area have kept folk dances alive. Three French Canadian folk songs make a superb set for any concert program. Music education has existed in Acadia since the first classical college was founded in New Brunswick in 1864. A significant repertoire was listed, but without the music. Laforte, C., Franco-Canadian Folk Music (2014). In addition, French Canadians speak Quebeçois, their own dialect of French. French-Canadian folk music is generally performed to accompany dances such as the jig, jeux dansé, ronde, cotillion, and quadrille.The fiddle is perhaps the most common instrument utilized and is used by virtuosos such as Jean Carignan, Jos Bouchard, and Joseph Allard.Also common is the diatonic button accordion, played by the likes of Philippe Bruneau and Alfred Montmarquette. Songs Sung by French Newfoundlanders: A Catalogue of the Holdings of the Memorial University of Newfoundland Folklore and Language Archive (St John's, Nfld 1978), Collard, Edgar Andrew. Survivances médiévales dans la chanson folklorique (Quebec City 1981, - 'Le répertoire authentique des chansons d'aviron de nos anciens canotiers (voyageurs, engagés, coureurs de bois),' Présentation à la Société royale du Canada, 38, 1982-3, Saguenayensia, special no. About 30 small printed song-books share the same period, but most have no music and mix literary songs with folksongs; among them are La Lyre canadienne (Quebec City 1847), Le Chansonnier des collèges (Quebec City 1850, 1854), and Recueil de chansons canadiennes et françaises (Lovell 1859). In 'Civilisation traditionnelle des Lavalois' (1951), Sister Marie-Ursule published 115 songs, of which about 20 of the tunes were collected by Alfred Pouinard and the remainder by François Brassard. Complaintes acadiennes de l'Île -du-Prince-Édouard (Montreal 1980), Brassard, François. In the 'General Remarks' prefacing Gagnon's collection, one finds the continuation and conclusion to this debate. It was in 1916 that he made his first folksong recordings. RCA LCP-1020/RCA CGP-139, C'est dans la Nouvelle-France. For there are songs in Canada, eg. Thanks to data gathered by the French linguist Geneviève Massignon and later by Canadian researchers at Université Laval, Université de Moncton and the National Museums of Canada we know that traditional Acadian music includes over 1,000 different songs (see Acadian Folklore Studies).
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